Twenty-four years ago, I was in the midst of post-recording production with the recording engineer who recorded the Sanctuary Choir’s Christmas CD, “Welcome Yule.” Producing a CD is an immense amount of work. Each piece is recorded 3-5 times. One CD can easily take four long evenings to record. The production process takes even longer. About halfway through the editing, our producer, George Blood, asked me, “Jeff, what do you think the five greatest choral works are?” I quickly responded with, “J.S. Bach’s “Mass in B-minor,” Mozart’s “Requiem,” Mendelssohn’s “Elijah,” Beethoven’s “Missa Solemnis,” and Brahms’ “Requiem.” Over my long career, I have had the privilege of conducting all these works, in some cases, several times. Of all these works, Brahms’ “Requiem” holds the most special place in my heart. I am thrilled to be able to conduct this masterpiece on Sunday, April 28, at 4:00 p.m. with our sublime Sanctuary Choir.
Pastors’ Column
Each week one of our pastors or staff members writes a column observing what is going on in our congregation, the Church and the world, and offering reflections on the Christian life and faith. Through this series of columns, we hope to connect your and our story to the enduring story of Christ; to offer pastoral reflections on our ongoing congregational life and mission; to report on news of the Presbyterian Church and Church universal; and to invite further reflection and deeper discipleship. We welcome your comments and suggestions. In other words, our words here are an invitation to continue the conversation.
In just a week, five of us from BMPC will travel to Lima, Peru, to spend a week with our long-term partner, Joining Hands Peru.
We have been connected to the work of Joining Hands Peru, especially through our support of Presbyterian World Mission and our Mission Co-Workers there, Jed and Jenny Koball, for over ten years. But this year represents the start of a deepening commitment on our part to the Joining Hands global network, which describes their work as standing in solidarity, working for justice and the restoration of the Earth, and advocating for the rights of people to claim the life abundant promised by God.
It was a joy to attend and participate in Easter services at Bryn Mawr this past Sunday. The outdoor early morning service had a totally different feel than the services in the sanctuary. Did you see the cross in the churchyard covered in flowers? Did the glorious ‘Hallelujah Chorus’ and Easter hymns ring in your mind for a while? But now, Easter Day is over. However, I hope the ramifications of it are not!
Sometime in the latter half of the 3rd Century, the Christian church began to observe Holy Week. The gospels describe in considerable detail the final days of Jesus’ life as the intense scrutiny around him heightens to a fevered pitch. Those early church Holy Week observances were dedicated to reading the gospel narratives of Jesus’ betrayal, trial, crucifixion, death, and burial. Participants went to worship in sorrow, penance and fasting, and to linger at the foot of the cross, mindful of the suffering love of God revealed through the person Jesus. By experiencing the full depths of Jesus’ passion, the joy of Easter morning led believers to ecstatic praise.
In January 2023, my neighbor, Rachelle Fleming, texted me, inviting me to her home to meet Hugh McElyea, a composer friend. Knowing Rachelle, I knew that we would have a lovely time, but I wasn’t expecting to encounter a composer who was absolutely fascinated by Dietrich Bonhoeffer. What ensued was a wonderful evening of three musicians engaging in all manner of conversation about all sorts of topics, including that of an oratorio that draws parallels between the crucifixion of Christ and Dietrich Bonhoeffer’s death at the hands of the Nazis. By evening’s end, I knew that BMPC would have to perform Hugh’s “Tenebrae: The Passion of Dietrich Bonhoeffer.”
In his celebrated work, Moral Man and Immoral Society, the 20th-century theologian and political philosopher Reinhold Niebuhr wrote, “Religion is always a citadel of hope, which is built on the edge of despair.” It came to mind a couple of weekends ago when I went to see Dune: Part Two on opening weekend.
"Little Things with Great Love” is a song by Porter's Gate—a group of musicians, pastors, and theologians who meet and write faithful, biblical, and beautiful worship music. This song is one of my favorites. I invite you to watch the video and/or read the lyrics, listening for the Spirit's stirrings within you.
- Community Forum Welcomes Matthew Desmond
- Connecting Through Mothers
- A Messy Season
- Youth Sunday 2024
- Midwinter Relief: 100 Years of Cabaret
- Senior Adult Ministry Initiatives
- Code Blue Shelter – You are invited to Volunteer
- Interview with James Kealey
- A Sacred Sigh at the New Year
- A Prayer for the New Year
- Finding the Holy
- Longest Night Worship Service
- Advent Lessons and Carols
- The Gift of Advent
- A PRAYER FOR THANKSGIVING DAY 2023
- Thanksgiving Pancake Breakfast 2023
- 2023 Advent Gift Market
- All Saints’ Sunday
- Theologian in Residence
- Christ is Made the Sure Foundation
